Wednesday, February 15, 2006

Sometimes you can make it--together

Below, on the audio file link, I have done an audio adaptation of the song "Sometimes you can't make it on your own". My adaptation includes contextualizing it within other musical and lyrical messages along the same themes. The following paragraphs give a basic scope for these themes and the audio adaptation near the end.

(This opening paragraph is perhaps too analytic and informative for the non-U2 enthusiast.) The grammy-winning song of the year, "Sometimes you can't make it on your own" is one of my favorite songs from U2's recent grammy winning album of the year "How to dismantle an atomic bomb". Bono clarified the shared theme of the song and album when he accepted the grammy for song of the year. He explained that his mother died when he was young, and he (Bono) was raised by his father, Bob Hewson. Bob Hewson (who recently passed away), is the "atomic bomb" that this whole album attempts to "dismantle". (Appropriately, U2 sang "Sometimes" at Bob's funeral.)As Bono explained, the album in many ways was his attempt to wrestle with who this man (Bob Hewson) was, and how they (Bob and Bono) related. "Sometimes" is somewhat of a micro version of the album as a whole. The song crystallizes key issues in this "atomic bomb" and gestures to how it might be dismantled. I think the term 'dismantle' is provocatively appropriate; it resonates with literary criticism terms such as 'deconstruction' and 'contextual analysis' as well as more plain language senses like 'to take off a mantle' as well as the notions typically accompanying talk of dealing with explosives, e.g. 'disarm' or 'make non-threatening'. Through lyric, music, tone, theme, and general feeling, I see the song and album compellingly addressing the "atomic bomb" in all of these kinds of ways.

I think "Sometimes you can't make it on your own" is among the most personal and poignant songs the band has ever put together. The song doesn't attempt to resolve this complicated relationship, but rather make a portrait that captures some of the tensions, struggles, appreciation, frustration, anger and respect that are at once deeply personal and universal in relations; especially between fathers and sons. The treatment of these themes through this song have helped me reflect on images and portraits of other fathers and sons in literature, TV and cinema. The Godfather movies, for example, do a compelling job of portraying some of these same tensions, for example, when (at the beginning) Michael returns from the army to get away from the family, but inevitably finds himself defending his father's life and ultimately lifestyle.

As my interpretation hopefully shows, other media attempts have likewise wrestled with these same themes. Though I find "Sometimes" perhaps the best recent crystallization, by interpreting it as I do within the context of other contemporary efforts (including my bridge between the two), I think a more hopeful and perhaps even more redeeming tone can emerge and sustain our outlook on fathers and sons. Perhaps it is impossible to understand a son without reference to his father, or vice versa.

In my interpretation, as should be evident by the end, I have considered other powerful portraits of fathers and sons struggling to find their way, and learning about each other by embarking on this journey "together", especially elegant and telling for this are those fathers and sons without a wife or mother. I believe that such portraits can be especially useful to help us draw out some of the universal tones about which "Sometimes" aims to say something. I see basic issues at the core: an attempt to see the son through the lens of the father, and vice versa. Perhaps most vital is an attempt to communicate to an audience the need to give an account of the father in order to better understand the son. Whether rich enough to have a home arcade alley, or as poor as a slave on a desert planet like Tatooine*, these father and son themes are constant.

Fathers and Sons: Here's to hoping we can find our way together.

this is an audio post - click to play

*Though I don't address it in my audio interpretation, I think the Star Wars saga is just such an attempt to give an account of a father in order to better understand the son. Indeed Anakin is the Adam character as he is the lone son with no father, we have no recourse to justify or explain his story with reference to his father. A New Hope seems to be a story about a young boy (Luke) without a father, who becomes a hero. The next 5 movies attempt to communicate to the audience the need to give an account of Luke's father in order to better understand this son.

Friday, February 10, 2006

Movie Scenes

Movie scenes that I love:

Joe Dirt: When Joe Dirt can't understand why the firework stand only has sparklers and snakes and he lists off 30 or so different kinds of fireworks that it should have.

Happy Gilmore: When Happy fights Bob Barker

related to this:

The Firm: When Tom Cruise kicks the crap out of Wilford Brimley

Hudsucker Proxy: When Tim Robbins is first introduced to Hudsucker Inc. (049583475783--that is your work ID #, it will not be repeated...)and also when the Hula-hoop becomes an epidemic.

Dirty Rotten Scoundrels: When Michael Cain says he is Dr. Emil Schaufhausen and attempts to cure Steve Martin's paralysis

The Pacifier: When Vin Diesel rescues the production of The Sound of Music and volunteers to direct.

Bill & Teds: When they play 20 questions and the first guess is: "Is it a tank?" and it's right.

Elf: When Will Ferrel mistakes Miles Finch as an elf. And when he learns that Santa is coming to the store.

Friday, February 03, 2006

Pack meeting: Tyler Smith

We went to Ralph's pack meeting on Wednesday. It was his 2nd Pack meeting. He earned his Bobcat last time. This pack meeting was also a talent show. Ralph was the first talent, he played "Twinkle, Twinkle, little star" on the cello. He hasn't played the cello since his teacher moved a year ago, but he brushed up and was pretty impressive.

The next talent was Tyler Smith. Tyler is one of Ralph's best friends in the pack, and I like Tyler even more after this pack meeting. He played the trumpet. Here is what he said and did:

"I'm going to play the trumpet. I guess it's harder than the cello because you have to blow. The first song is 'Mary had a little lamb'. Lots of people think this is a baby song, but it's actually pretty hard to learn...[played Mary had a little lamb]...this next song is pretty much an oldie, it's called 'Hot cross buns'...[played Hot Cross buns]."